知性的對決／孤絕的存在：一九五、六○年代白萩的詩論、詩作對「現代 詩」寫作的擴展與延伸

研究論文

Research Article

知性的對決／孤絕的存在：

一九五、六○年代白萩的詩論、詩作對「現代詩」寫作的擴展與延伸

Intellectual Reflection/Lonely Existence: Influences of Bai Ciou’s Poetics and Poetry in 1950s’ and 1960s’ on Enriching and Extending Modern Poetry

阮美慧

Juan, Mei-Hui

摘要

        白萩（1937―）十八歲時即展露了文學的才華，1955年以〈羅盤〉一詩，獲得「中國新詩協會」第一屆詩人獎的殊榮，當時被詩壇喻為「天才詩人」，備受詩壇矚目。因此，當時其詩論、詩作，對知性的對決、孤絕的存在等「現代」質素的大力著墨，都對「現代詩」的寫作，具有一定的啟發。

        其中，白萩雖強調「實驗」、「創新」的重要，但卻先在「傳統」與「個人」之間，重新思考彼此的關係，認為詩人並非屈就於傳統之下，而是要從「傳統」中跨越，並能夠超越傳統，這才是他對「現代」意涵的解讀。此外，他也特別提出詩的知性，分析情緒與情感的差異，同時，亦強調構思嚴密的結構、組織，才能使作品具有完整性及永恆性。在詩作技巧上，特別對詩的空間（繪畫性）及時間（音樂性）的設計，建立起詩中物我合一的原始性關係，使詩在意象、節奏、旋律上別出心裁，然而，這些新穎的方法，仍是為了展現詩的深刻意義，特別在一九五、六○年代，詩人對人生實存境況的探究，顯現人在現實中的孤獨感。而白萩的詩作，在語言精準的操控下，其「現代」精神的呈現，成為一種「異端的誘惑」，而為當時「現代詩」提供了新路徑。由此觀之，白萩做為一位真正的詩人，總是能夠走在時代的前端。

關鍵字：白萩、現代詩、知性的對決、孤絕的存在、詩的原始性關係

 Abstract

        Bai Ciou (白萩, 1937-) shows his literary talent at the age of 18. In 1955, he won the 1. Poetry Award from “Chinese Poetry Association” (中國新詩協會) for his work “compass” (羅盤). He is then hailed as a “poet of genius”, attracting much attention from his colleagues. Owing to this, his poetics and poetry, emphasizing the modern essences of lonely existence and intellectual reflection, has certain inspiration for the writing of modern poetry.

        

        Bai Ciou (白萩) emphasizes the importance of experiment and innovation. He re-thinks the relationship between tradition and individuals, and suggests that poets cannot be subordinated to tradition, but has to go through and transcend it. This is indeed his interpretation of modernity. Besides, he puts forward the intellectuality of poetry, analyzing the difference between emotion and feeling and emphasizing the strict structure and organization of ideas. Those are the elements which keep the poetry in its integrality and eternality. Technically, he focuses on the arrangement of space (pictorial) and time (musical) of poetry, building the original relationship between poetry and things, which makes the poetry innovative in its images, rhymes and melodies. These novel approaches are introduced for showing the deep meaning of poetry, the real situation of existence and the loneliness in the reality in 1950s’ and 1960s’. Bai Ciou’s (白萩) poetry, being written in accurate language, is a kind of “seduction of heresy” and offers a new approach for modern poetry. Bai Ciou (白萩), as a real poet, is always at the forefront of the times.

Keywords: Bai Ciou (白萩), modern poetry, intellectual reflection, lonely existence, original relationship of poetry

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