研究論文 Research Article
全球生態意識的在地展現：吳明益《家離水邊那麼近》中的水域生態與族群文化景觀
A Local Practice of Global Ecological Consciousness :
Water Ecology and Ethnic Culture in Wu Mingyi’s So Much Water So Close to Home
莊傳芬
Jhuang, Chuan-fen
摘要
本論文以吳明益《家離水邊那麼近》的自然生態與人類文化之書寫為題材，探討東台灣水域生態與地方族群文化發展二者間的共生關係，以及文本中所展現的生態觀。從「水」的探尋發端，作者從其豐富的歷史人文與科學知識背景出發，藉由數次步行並觀察東台灣溪流與海洋生態的經驗，而在過程中具體落實了對花蓮生態現況的知性思辨。作者並以此為基點，進一步將在地與全球連結，從生態的普世性價值中開展其全球生態意識的論述。
本論文聚焦於文本中描寫溪與海的兩個章節，探討花蓮在地原住民文化、河流與海洋生態，以及現代科學知識三者之間的作用關係。並進一步思考：在吳明益的自然書寫中，河流與海洋不同的地理形制有什麼樣不同的表現方式與元素？文本中傳統族群文化的詩意想像與現代科學的知性思辨相互連結後，展現出什麼樣的生態批評與具體生態觀？文本中以東台灣水域為觀察基礎所開展的在地生態意識，如何與全球生態倫理觀相連結？此皆為本論文試圖論述之處。
關鍵詞：自然書寫、花蓮原住民、傳統生態知識（TEK）、水域生態
Abstract
This paper looks into the interrelationship between natural ecology and ethnic culture in Wu Mingyi’s So Much Water So Close to Home. It presents how Wu’s ecological observation, in particular the symbiosis between water ecology and cultural development of the aboriginals. Starting from exploring water ecology, Wu provides substantial reflections on environmental issues in Hualien through local, historical and cultural backgrounds, as well as through scientific knowledge and fieldworks in river and marine ecosystems in eastern Taiwan. Furthermore, he attempts to connect the local to the global by developing a discourse on the consciousness of global ecology based on universal values.
This paper focuses on river and marine ecosystems, and explores the interrelationship between aboriginal culture, river and marine ecosystems, and modern scientific knowledge. This paper is interested in that follows: What kind of expressions and elements are used to represent different geographic forms of river and sea? What kind of eco-criticism and ecological thinking are demonstrated through the combination of traditional poetic imagination and the intellectual science? How can the locally ecological consciousness connect to the globally ecological ethics?
Keywords: nature writing, Hualien’s aboriginals, TEK, water ecology
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2013年8月28日 星期三
陳銘磻的生命原鄉追尋
研究論文 Research Article
陳銘磻的生命原鄉追尋
Chen Ming-Pan’s Pursuit of Life Homeland
劉智濬
Liu, Chih-chun
摘要
本文嘗試探尋陳銘磻歷時性文本之間的深層連結，梳理貫穿其中的核心書寫動機。1970年代中期以來，陳銘磻的創作歷程呈現三個創作主軸平行重疊、交錯互涉的狀態：以父親為核心的故鄉書寫、以社會底層邊緣為關注對象的報導文學書寫、以原住民部落那羅與異國日本為場域的旅行書寫。透過這三個面向的創作，陳銘磻追尋在倫理、社會、族裔等不同層面的歸屬與安頓，並歸結於以父愛為核心之生命原鄉的探問。
關鍵詞：陳銘磻、生命原鄉、閱讀策略
Abstract
This article tries to dig into subterranean connections between Chen’s diachronic texts, collating core writing motivations threading them. Chen’s writing history since mid 1970s is made up of three writing pillars that parallel, interlock, and inter-textualize each other: homeland writing focusing on Shifang Village and his father, reportage literary writing on the underprivileged and marginalized subjects, and travel writing featuring aboriginal tribe Nalou village and foreign country Japan. By writing the three facets, Chen explores the topics of belonging and settling from the aspects of society, ethnicity, and ethics, and ends up in the quest for life homeland represented by father’s love.
Keywords: Chen Ming-Pan, Life Homeland, Reading Strategy
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陳銘磻的生命原鄉追尋
Chen Ming-Pan’s Pursuit of Life Homeland
劉智濬
Liu, Chih-chun
摘要
本文嘗試探尋陳銘磻歷時性文本之間的深層連結，梳理貫穿其中的核心書寫動機。1970年代中期以來，陳銘磻的創作歷程呈現三個創作主軸平行重疊、交錯互涉的狀態：以父親為核心的故鄉書寫、以社會底層邊緣為關注對象的報導文學書寫、以原住民部落那羅與異國日本為場域的旅行書寫。透過這三個面向的創作，陳銘磻追尋在倫理、社會、族裔等不同層面的歸屬與安頓，並歸結於以父愛為核心之生命原鄉的探問。
關鍵詞：陳銘磻、生命原鄉、閱讀策略
Abstract
This article tries to dig into subterranean connections between Chen’s diachronic texts, collating core writing motivations threading them. Chen’s writing history since mid 1970s is made up of three writing pillars that parallel, interlock, and inter-textualize each other: homeland writing focusing on Shifang Village and his father, reportage literary writing on the underprivileged and marginalized subjects, and travel writing featuring aboriginal tribe Nalou village and foreign country Japan. By writing the three facets, Chen explores the topics of belonging and settling from the aspects of society, ethnicity, and ethics, and ends up in the quest for life homeland represented by father’s love.
Keywords: Chen Ming-Pan, Life Homeland, Reading Strategy
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吾鄉印象與鄉土文學：論七○年代吳晟詩歌的形成與發展
研究論文 Research Article
吾鄉印象與鄉土文學：論七○年代吳晟詩歌的形成與發展
“Wú Xiāng Yìn Xiàng” and Native Literature:
The Formation and Development of Wú Chéng’s Poetry in the 1970s
蔡明諺
Tsai, Ming-yen
摘要
本文追溯了吳晟在七○年代的詩歌創作，並且藉此說明了吳晟長年以來在詩藝道路上的探索與追尋。本文認為，吳晟在1972年所發表的「吾鄉印象」系列詩作，不管從形式上或主題上來說，仍然更多地延續著現代主義文學的特徵。而吳晟「鄉土詩」風格之真正確立，則應該在「泥土篇」（1974）與「向孩子說」（1977）系列詩作之後。吳晟的文學史地位之建構，和七○年代台灣文壇環繞對於鄉土概念的討論，彼此緊密相關。吳晟的鄉土詩完成在鄉土文學運動之前，當他以其直覺的藝術感性凝視外在鄉土，而非以意識構築詩句時，他所塑造出的才是文學史上迄今獨立的鄉土詩典範。
關鍵詞：現實主義文學、農民文學、現代詩、鄉土詩
Abstract
This paper traces Wú Chéng’s poetry in the 1970s, accounting for his attempts at poetic writing. I argue that Wú Chéng’s “Wú Xiang Yìn Xiàng”, published in 1972, retains the traits of modernist literature, no matter in terms of form or topic. His “Native Poetry” style was not established until the creation of “Ní Tu Pian” (1974) and the “Xiàng Hái Zi Shuo” (1977). Wú Chéng’ status in literature was constructed in close relation to the discussions on the concepts of “xiang tu” in the 1970s. His “Native Poetry” was written before the “Native Literature Controversy”. These works set the model of “Native Poetry” in the literature history of Taiwan, as he waved good-bye to Modernism and turned his gaze upon the life of his native soil with emotion and intuition.
Keywords: Realism literature, Rural literature, Modern poetry,Native Poetry
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吾鄉印象與鄉土文學：論七○年代吳晟詩歌的形成與發展
“Wú Xiāng Yìn Xiàng” and Native Literature:
The Formation and Development of Wú Chéng’s Poetry in the 1970s
蔡明諺
Tsai, Ming-yen
摘要
本文追溯了吳晟在七○年代的詩歌創作，並且藉此說明了吳晟長年以來在詩藝道路上的探索與追尋。本文認為，吳晟在1972年所發表的「吾鄉印象」系列詩作，不管從形式上或主題上來說，仍然更多地延續著現代主義文學的特徵。而吳晟「鄉土詩」風格之真正確立，則應該在「泥土篇」（1974）與「向孩子說」（1977）系列詩作之後。吳晟的文學史地位之建構，和七○年代台灣文壇環繞對於鄉土概念的討論，彼此緊密相關。吳晟的鄉土詩完成在鄉土文學運動之前，當他以其直覺的藝術感性凝視外在鄉土，而非以意識構築詩句時，他所塑造出的才是文學史上迄今獨立的鄉土詩典範。
關鍵詞：現實主義文學、農民文學、現代詩、鄉土詩
Abstract
This paper traces Wú Chéng’s poetry in the 1970s, accounting for his attempts at poetic writing. I argue that Wú Chéng’s “Wú Xiang Yìn Xiàng”, published in 1972, retains the traits of modernist literature, no matter in terms of form or topic. His “Native Poetry” style was not established until the creation of “Ní Tu Pian” (1974) and the “Xiàng Hái Zi Shuo” (1977). Wú Chéng’ status in literature was constructed in close relation to the discussions on the concepts of “xiang tu” in the 1970s. His “Native Poetry” was written before the “Native Literature Controversy”. These works set the model of “Native Poetry” in the literature history of Taiwan, as he waved good-bye to Modernism and turned his gaze upon the life of his native soil with emotion and intuition.
Keywords: Realism literature, Rural literature, Modern poetry,Native Poetry
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蔣渭水的左傾之道（1930-1931）：論共產國際「資本主義第三期」理論對蔣渭水的啟發
研究論文 Research Article
蔣渭水的左傾之道（1930-1931）：論共產國際「資本主義第三期」理論對蔣渭水的啟發
Chiang Wei Shui’s Left-leaning Approach (1930-1931) :
On the Influence of “The Third Stage of Capitalism” by the Communism
International to Chiang
趙勳達
Chao, Hsun-ta
摘要
論者恆謂蔣渭水在思想上師法孫中山，反對破壞民族團結的階級鬥爭，但不反對社會主義的平等原則。在1927年台灣民眾黨創黨之時，蔣渭水援引孫文主義作為理論武裝，此時的蔣渭水固然在思想上有馬克思主義的影子，不過基本上仍是孫文主義的信徒。然而到了1930年，蔣渭水漸次受到了共產國際「資本主義第三期」理論的啟發以及世界性經濟大恐慌的刺激，放棄了他過去認為資本主義尚處於「安定期」的主張，轉而響應共產國際的號召，致力於推動無產階級革命運動。此時的蔣渭水，一面心儀蘇聯新經濟政策，主張孫文主義具有發展到無產階級專政之可能性，一面決定放棄合法改良主義路線而欲與台共‧新文協合流，如此一來是否可以被視為孫中山的信徒？不無疑義。本文主張，此時的蔣渭水左傾的態度明確，已不堅持原來的改良主義路線，而是轉向激進的階級鬥爭。後來者有其後見之明，本文不願評論蔣渭水在革命時機的拿捏上恰當與否。但蔣渭水在當時看到了台灣解放運動的曙光，他選擇奮力一搏，雖然最後留下了「壯志未酬身先死」的遺憾，然而其精神依然值得肯定。
關鍵詞：蔣渭水、資本主義第三期、共產國際、孫中山
Abstract
Commentators always regarded Chiang Wei-shui as a follower of Dr. Sun Yat-sen’s ideology, one who as opposed to class struggle which undermines national unity, and yet was not against the principle of equality of the socialist. When Taiwanese People’s Party was founded in 1927, the principal theory of the party by Chiang was based on Dr. Sun Yat-sen’s ideology. Back at the time Chiang’s ideas somewhat reflected Marxist ideology, but he remained essentially Sun’s disciple. By 1930, however, Chiang began to be inspired by the “Third Stage of Capitalism” by the Communism International and was influenced by the Great Depression that swept the world. As a result, he renounced his claims that capitalism is in an “ultimate stage” and instead responded to the call of the Communism International. Since then, Chiang has been committed to promoting the proletarian movement. Therefore, from 1930 onwards, Chiang Wei-shui longed for the Soviet Union’s New economic policy on the one hand, thinking that Sun’s ideas demonstrate the possibility of developing into dictatorship of proletariat, and on the other hand, he aspired to integrate with Taiwan Communist Party and Taiwan Culture Association. This leaves much room for discussion as to whether or not Chiang was still a disciple of Sun. The author argues that, at the point Chiang’s leftist attitude was already quite clear. He no longer adhered to the original reformist route, but turned instead to the radical class struggle. The author does not intend to comment on whether Chiang’s timing of the revolution was appropriate or not, but back at the time Chiang felt a glimpse of hope for the liberation of Taiwan and chose to take a chance. Regrettably, things did not turn out the way he expected, but his efforts were still commendable.
Keywords: Chiang Wei-shui, ” The Third Stage of Capitalism “, Communism International (Comintern), Dr. Sun Yat-sen
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蔣渭水的左傾之道（1930-1931）：論共產國際「資本主義第三期」理論對蔣渭水的啟發
Chiang Wei Shui’s Left-leaning Approach (1930-1931) :
On the Influence of “The Third Stage of Capitalism” by the Communism
International to Chiang
趙勳達
Chao, Hsun-ta
摘要
論者恆謂蔣渭水在思想上師法孫中山，反對破壞民族團結的階級鬥爭，但不反對社會主義的平等原則。在1927年台灣民眾黨創黨之時，蔣渭水援引孫文主義作為理論武裝，此時的蔣渭水固然在思想上有馬克思主義的影子，不過基本上仍是孫文主義的信徒。然而到了1930年，蔣渭水漸次受到了共產國際「資本主義第三期」理論的啟發以及世界性經濟大恐慌的刺激，放棄了他過去認為資本主義尚處於「安定期」的主張，轉而響應共產國際的號召，致力於推動無產階級革命運動。此時的蔣渭水，一面心儀蘇聯新經濟政策，主張孫文主義具有發展到無產階級專政之可能性，一面決定放棄合法改良主義路線而欲與台共‧新文協合流，如此一來是否可以被視為孫中山的信徒？不無疑義。本文主張，此時的蔣渭水左傾的態度明確，已不堅持原來的改良主義路線，而是轉向激進的階級鬥爭。後來者有其後見之明，本文不願評論蔣渭水在革命時機的拿捏上恰當與否。但蔣渭水在當時看到了台灣解放運動的曙光，他選擇奮力一搏，雖然最後留下了「壯志未酬身先死」的遺憾，然而其精神依然值得肯定。
關鍵詞：蔣渭水、資本主義第三期、共產國際、孫中山
Abstract
Commentators always regarded Chiang Wei-shui as a follower of Dr. Sun Yat-sen’s ideology, one who as opposed to class struggle which undermines national unity, and yet was not against the principle of equality of the socialist. When Taiwanese People’s Party was founded in 1927, the principal theory of the party by Chiang was based on Dr. Sun Yat-sen’s ideology. Back at the time Chiang’s ideas somewhat reflected Marxist ideology, but he remained essentially Sun’s disciple. By 1930, however, Chiang began to be inspired by the “Third Stage of Capitalism” by the Communism International and was influenced by the Great Depression that swept the world. As a result, he renounced his claims that capitalism is in an “ultimate stage” and instead responded to the call of the Communism International. Since then, Chiang has been committed to promoting the proletarian movement. Therefore, from 1930 onwards, Chiang Wei-shui longed for the Soviet Union’s New economic policy on the one hand, thinking that Sun’s ideas demonstrate the possibility of developing into dictatorship of proletariat, and on the other hand, he aspired to integrate with Taiwan Communist Party and Taiwan Culture Association. This leaves much room for discussion as to whether or not Chiang was still a disciple of Sun. The author argues that, at the point Chiang’s leftist attitude was already quite clear. He no longer adhered to the original reformist route, but turned instead to the radical class struggle. The author does not intend to comment on whether Chiang’s timing of the revolution was appropriate or not, but back at the time Chiang felt a glimpse of hope for the liberation of Taiwan and chose to take a chance. Regrettably, things did not turn out the way he expected, but his efforts were still commendable.
Keywords: Chiang Wei-shui, ” The Third Stage of Capitalism “, Communism International (Comintern), Dr. Sun Yat-sen
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2013年8月27日 星期二
香港本土運動的興起與轉折
論壇：邊緣、少數作為意識形態
Forum: Minority as An Agent to Create Hegemony of Ideology
香港本土運動的興起與轉折
The Trajectories of Hong Kong Localist Movement
羅永生
Law, Wing-sang
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Forum: Minority as An Agent to Create Hegemony of Ideology
香港本土運動的興起與轉折
The Trajectories of Hong Kong Localist Movement
羅永生
Law, Wing-sang
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台灣弱勢族群意識發展之歷史過程考察
論壇：邊緣、少數作為意識形態
Forum: Minority as An Agent to Create Hegemony of Ideology
台灣弱勢族群意識發展之歷史過程考察
The Development of Taiwan’s Ethnic Consciousness:A Historical Examination
王甫昌
Wang, Fu-chang
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Forum: Minority as An Agent to Create Hegemony of Ideology
台灣弱勢族群意識發展之歷史過程考察
The Development of Taiwan’s Ethnic Consciousness:A Historical Examination
王甫昌
Wang, Fu-chang
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